![]() ![]() But with mono images and subtle duotones, dynamic range is more important. If you’re going for a graphic image with two bold colors, the tonal range is almost immaterial. At least, that is the case if you perform a separate edit or use an adjustment layer with a normal blend mode. When using the color picker to select your shadow and highlight colors, any hue you pick above the base or below the top of the graph compresses the tonal range (or dynamic range) of the photo. ![]() The semantics don’t matter provided you’re not entering duotone photo competitions with pictures that look mono. Of course, if your shadows and highlights are so close to black and white that their hues are hard to detect, you’re effectively back to creating monochromes. Blue and orange are complementary colors (approx). Another gradient-map duotone using a “normal” blend mode. ![]()
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